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STEM 2.0,
Transition,
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about
STEM is an experimental non-repeating 20 minute piece of music that spans many genres and dynamics.
Featuring Doug Harper and Chris Gregson.
Mastered by Acle Kahney
lyrics
Sitting opposite myself from miles away;
The reflections don’t align with the stem,
And a changing world overwhelms…
The naive man will want to die for a noble cause,
But the wise man will want to live for a humble one.
Is this not enough?
Take your time, there’s no rush.
Forget, forgive, forward.
We will grow.
Think less, feel more.
If it isn’t broken, don’t try to fix it.
Why is this not enough for you?
You ignored the world, locked yourself away,
Tried to find something else to make life worth living…
Of course you found someone else’s answer.
supported by 20 fans who also own “Movement 1: Don't Wait”
I made love with my girlfriend so many times on this album. It is incredible. The songs are so beautiful and the rythm so well coordinated for this kind of moment... Anyway, always good to listen to it in the bus too Faugus
supported by 16 fans who also own “Movement 1: Don't Wait”
What a creative and unique EP from David! I love the intricacy and level of detail in the soundscape so much. There's always something for my ear to catch each time I visit this release. This is one of his more underrated releases, in my opinion. Great job, David! :D Erkadur
supported by 15 fans who also own “Movement 1: Don't Wait”
I like the fact that this guy is not in “omg I love djent so much I’ll only let *that* express in my songs” mode. With his friends he crafts thoughtful and diverse songs which can be either playful or touching. Alice M.
The seven tracks on this riveting LP offer a melodic take on experimental music, at times approaching post-rock grandeur. Bandcamp New & Notable Apr 27, 2020
Juxtaposing lo-fi warmth with library music spaciousness, CV Vision's "In Time" teaches a lesson in transformative psych. Bandcamp New & Notable Apr 14, 2021
supported by 15 fans who also own “Movement 1: Don't Wait”
The buildup section in the early-middle part of "Mbinguni Amina" is one of my favorite bits of music that's ever been written, and the drop that follows that buildup is the the heaviest drop of all time. Don't @ me. Kadin Wisniewski